Arnaud Vidricaire Canadian, b. 2000

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Overview
"I designed my new series in a desire to return to the basics of creation, to make a return to minimalism. With this in mind, it was obvious that I would work with the simplest form to discover its possibilities" - Arnaud Vidricaire

Born in 2000 in Quebec City (Canada), Arnaud L. Vidricaire lives and works in Montreal. His artistic practice takes the form of ambitious spatial installations, through which he tells the story of his inner turmoil. His motivation stems from a vision to propel painting and expressionism into the technological forefront, striving to usher the art form into the 21st century. In Vidricaire's work, the gesture is masterfully staged. He treats line as a form of personal expression, as much for its plastic value as for the intimate testimony it provides. 

 

Works
  • Arnaud Vidricaire, 8:42 , 2021
    8:42 , 2021
  • Arnaud Vidricaire, Baccalauréat, 2021
    Baccalauréat, 2021
  • Arnaud Vidricaire, Balade à Toronto, 2021
    Balade à Toronto, 2021
  • Arnaud Vidricaire, Retour, 2021
    Retour, 2021
Biography
"I wanted to deconstruct the so-called classic form of creation of visual artists. This will then be followed by simple but effective play of colors and solid areas, worked with the aim of creating optical effects." Arnaud Vidricaire

Born in 2000 in Quebec City (Canada), Arnaud L. Vidricaire lives and works in Montreal. His artistic practice takes the form of ambitious spatial installations, through which he tells the story of his inner turmoil. Emotional, non-conscious creations, his works begin with instinctive tracings on the surface of his graphic tablet. He saturates the screen with various tangles of lines, most of which he ultimately discards, retaining only the strongest compositions. He then utilizes UV painting and laser cutting techniques to craft intricate color compositions. His motivation stems from a vision to propel painting and expressionism into the technological forefront, striving to usher the art form into the 21st century.

 

In Arnaud L. Vidricaire's work, the gesture is masterfully staged. He treats line as a form of personal expression, as much for its plastic value as for the intimate testimony it provides. The drawing leaves the screen to saturate the wall, occupying space in a magnificently raw and unexpected way. 

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